Cedar Faux Ivory Cigar Box

I am so pleased with this box, and as often happens in such cases, I've held onto it for a long time. I made it out of a white-ecru mix which I textured, then cut into I don't know how many narrow strips and covered the entire exterior, including the bottom. Once that was done, and the box cured, I sanded and buffed and then applied a glaze of raw sienna and burnt umber. A striped agate bead I especially liked was then fixed to the top, a narrow black bezel created and the piece was cured again to fuse the glaze and cure the clay bezel. I've left the interior natural to allow it to be used for proper cigar storage, and cut a removable dark brown suede piece for the base. The box is 5 3/4 inches long, 4 1/2 inches wide and 4 3/8 inches tall. The entire exterior of the box is covered, including the bottom. I have signed the underside of the lid.

Hand Carved Artifact Bangle Bracelet

I loved making this bangle as well as a number of others using similar techniques. I built the mosaic on a simple bangle base; tiled inside and out for comfort and strength. The textured tiles are patterned from an original design of my own, and are accented with circular tiles and small individually made balls. The piece has been glazed with a burnt umber-burnt sienna glaze.

The inside is also tiled and signed. The interior diameter is just at 2 3/4 inches, medium to medium-large in size, and the width of the bangle is 1 1/2 inches.

It is currently in my Etsy shop.

Rosy "Ivory" Bangle

Photographing items is often amazingly revealing. I had thought this piece was complete yesterday, after color washing and buffing, but when photographed this morning, I found it just wasn't quite "right", so back to some 320+600 sanding and a lot of buffing on my jeans while I watched part of a really bad movie and did some extra loving on Miles our neurotic but beloved Siamese.
So, now it is finished, looks good on, and is ready to join the coordinated necklace, once I get the toggle finished. (Forgot to colorwash the two beads yesterday when doing the bangle).

Blue "Ivory" Bangle ... Complete!

I was very nervous about starting the color wash on this bangle as I liked it so much as it was. Wouldn't have done it except for a bit of aging had I not wanted a piece to coordinate with the necklace I made this for.
Happily it turned out well...in fact I love it.
This bangle has opened my eyes/mind to all sorts of possibilities -- cannot wait to continue on.

Two Antique "ivory" Bangles in Progress

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I must say I really like the bangles just as they are (with some finishing yet to be done). However, they will be color washed to coordinate with the two necklaces nearly finished. Like many artists, I tend to work sequentially, so no doubt "unwashed" pieces are in my near future.

Two Antique "ivory" Necklaces

These two necklaces are nearly done; final assembly will be done on the four I have completed for the Fat Cat Gallery in Oakridge, NC one day next week.
I'm really pleased with the way they have turned out, and will now get to work on the coordinated bangle bracelets.

Almost There . . .

In some ways this box took control of itself somewhere along the way and morphed into something slightly different...voyage of discovery in terms of design and technique. I’ve enjoyed the journey.

Now just some final tweaking here and there...cleaning up the tiny bits of claydust in the gazillion crevasses and then some final buffing and perhaps a tiny bit of wax or polish here and there.

July 22 2011 Cedar Box in Progress

Day One: Cedar box, gessoed black and incised with Dremel Stylus to establish overall design.

Day Two: Top covered in Polymer Clay (using old fashioned Terra Cotta school clay) at various thicknesses to establish dimensions of design. I then textured the “cross” motif with a ball tool, and incised the outer “frame”.

Days Three & Four: The sides were covered (two each day) in the same manner as the top.

Day Five : The textured areas were antiqued with straight black acrylic paint, forcing paint into the grooves and divots, then wiped.
Then the center motif was dry brushed with a mixture of metallic gold, copper, green and black. Three very light applications were done to achieve sufficient contrast with the outer area with was simply wiped.

Next I will apply polymer clay veneers to the "raw" terra cotta areas and set stones, most likely turquoise, in the centers of the motifs.