I'm Getting Too Old For This** Part 1

**It's not exactly that, but  being realistic there is NO WAY I can finish all the things I've got some or all of the stuff for, unless of course, I figure out how to live for another 126 years WITHOUT BUYING A SINGLE THING.    Right.     I don't want to refer to them as orphans or destash, because while I've got some of that too, these things have been lovingly kept in my "Someday" place. 

To be completely honest, I don't remember exactly when I made these, though 2011-ish would be about right.  I was very interested in Mokumne gane, rickrack blades and the like, and made all sorts of beads and bits willy-nilly, enjoying myself with no particular end in mind.   

  

OK, so I have these pieces  and they are really pretty, but I know I'm never going to finish the set.  They need new eyes and a fresh heart.  The pendant is 1 3/8" long -- 1 5/8 including bail. It is slightly wedged shaped as so many of my things are, and a bit over 1 3/8" wide at the widest point.  As for the beads, they are somewhat peculiar. Three are drilled only halfway through. I'm quite sure this means they had something to do with the closure as I often did this.  Why three? I don't know.  They are a tad over 5/8" and one is chubbier than the others.   Then there are two fully drilled beads, one short (1/2") and one tall (3/4").  They are all, as I mentioned,  quite pretty, highly buffed with a nice bit of sparkle in the combination of gold and copper clay.

Please adopt them and make something beautiful.  They're in my etsy shop. 

http://www.etsy.com/shop/patibannister

They're only $7.50

Last Days of January

The Last Veneer.  Jan 30

It is unlikely I will finish working with this veneer before month's end, but it's a start.  Premo Ultramarine Blue conditioned to Atlas #5, then drawn with small stylus in a Klimt-inspired way until I spotted a pangolin.  So without getting to specific, since this will, after all, be cut into much smaller pieces, I went with the sea.  Once drawn I used my finger to blot in silver, using Liquitex Heavy Body Iridescent Silver.  This metallic family is my favorite: Gold, Silver, Copper and Bronze.  

Jan 31   Acrylics finger-painted on.  Liquitex silver and gold.  Diox. Purple, Cad Red Light, plus Cobalt,  Yellow Green and Turquoise metallics.    Initially I had planned a more controlled application, but as soon as I saw pangolin and some fish, I started to go left brain and that is not what I want. 

Denim-Inspired veneer

Monday I started a new veneer...  and here are some works in progress.

Klimt-Inspired Veneer...a Step Along the Learning Curve ...

I think I'm nearing the end of the road on this veneer, and learned a simple technique for finishing the sides better, using a hair's breadth layer underneath, then burnishing to round the edges.  No great secret but I have rarely worked right up to the finish line without curing the clay before, and certain "refinements" are more difficult after the fact.   I didn't use the technique on the outer perimeter of the pendant because I had already veneered it, and didn't want to sacrifice it.  

COOL HINT:  I don't know why it never occurred to me before because I use them all the time for all sorts of things, but 3 hole page protectors are a fabulous place to store veneers!  I found this hint on a post from 2011 yesterday, and even then "everyone" knew about it.  

Klimt Veneer Continued ... Day 3

Still uncured, going as far as feels comfortable, and finally making notes, something I fail to do, much to my chagrin a year or five later ...Pendants and earrings here ... a trinket box is about to be cured, but not yet photographed. The heart will have a pendant/brooch finding.

....After a Long Hiatus ......

Back to my polymer origins for awhile, when my pleasure was in paint and polymer and fooling around.  I loved veneer before I knew people used such techniques as well as other applications that I discovered for myself.
Klimt inspired, these six pieces of veneer (#7 Atlas) black clay, design drawn into surface, acrylic pigments.  Not yet cured.  Not yet tweaked...if necessary.

Next?  What to do with it?

Geek Meets Glam

I wear readers and have for a long time. I'm always misplacing them or juggling sunglasses and readers and I don't know how many times I've had to frantically search through the bookstore or market trying to remember where I left one or the other.
I don't care much for the regular ones as they're hard to change back and forth with those little stretch thingies, so just for the fun of it I made one of these. It worked. I wear one nearly all the time now.
Exchanging readers for sunglasses is a piece of cake.

By the Sea ....

We recently took a road trip down the coast to Key West and then back up the West Coast.  As always that gorgeous water is lusciously captivating.  
I wanted to attempt to capture a bit of the feeling of the color play and decided to work with earrings since they are suspended and move and can capture the light. 

I used a simple combination of 3 blue shades, a bit of gold and of course translucent--all Premo.  Thin THIN layers. 
To my surprise and delight, this pair was featured in Polymer Clay Daily, always encouraging to everyone, and perhaps particularly to a self-taught person such as myself.  Thank you, Cynthia Tinapple!

Back to the worktable!

327 Years and Counting

Just back from a road trip down the Eastern Seaboard from Georgetown SC (a very sweet town) to Key West, less sweet but pretty cool.

 I'm somewhat obsessed right now with turquoise (waters).  I'm always somewhat obsessed by turquoise, but that's another story.

Also, fresh from a vacation, or perhaps I should say a break, since road tripping that distance in just over 2 weeks with six people isn't exactly relaxing, no matter how much fun it might be. 

And it was.  Exhausting.  Fun.

So, upon returning and spending two days doing cat laundry, our laundry, and remembering the most basic of Things Which Must Be Done Daily, I returned to the worktable determined to use up every bit of  clay, beads, findings and assorted I've held on to through several destashings, gifts to local school arts teachers, etc.   This is either before or commensurate with the painting supplies, canvases, oils, watercolors, acrylics and colored pencils, papers, canvases, brushes etc. 

If I opened an art store tomorrow, it would rival Cheap Joe's or Blick's  for at least a week. 

This is where the 327 years come in. It will take that long, at least, as long as I do not buy anything other than fill-in to finish this or that.  Ear wires.  Chain.  The once a year 2 oz block of orange I like.  

That sort of thing. We live long in my family, but this may be pushing it. 

The focal in this piece, as well as the two triangular beads in earrings, were made about 6 years ago.  I made a statement necklace which I then couldn't part with and these remained. (pictured) There are still 3.    The faux faux amber (I wasn't trying to make amber, just the color) are from the red bird pendant I made earlier this year,  the turquoise ovals and heishi from The Stash.  I used 20 including the 2 large beads.  Okay, make that 479 years. 

They don't look like Florida so much as they feel like it, at least to me, and my friend Sheila who is lucky enough to live in St. Augustine, says I got that right. 

10 X 10 Cover the World with Clay -- FIMO

Every time one of these opportunities comes along, I say "I WANT to do this and I WILL."  And then I don't.  I'm sure some of it is inertia, some wearing too many hats and not being particularly organized about it.  And some is my own shyness or reluctance when it comes to groups.  

SO, this Fiftieth celebration of FIMO and polymer clay was intriguing. An invitation to submit a 10x10 cm (about 4 inches) polymer clay tile.  These tiles will form an exhibit and will ultimately be sold to benefit two charitable efforts: One to aid children with heart disease, and one to aid indigenous women who produce art/craft items.

I almost "successfully" avoided it.  But on the very last day, lo and behold, a three day extension was declared.  It was the second extension and I thought...A SIGN.  So I decided to do it.  No excuses.

What to do?  As a painter I paint a LOT of cats, often blue since my interest is generally in "catness" as opposed to portraiture.  Other favorites include poppies and pears.  With polymer clay which I adore, partly because for some reason it permits me to take a much more abstract approach, I lean strongly toward mosaics, a long time love, but which, with clay, I find easier in terms of the technical stuff.  And lately I've been experimenting with metal leaf and alcohol inks. 

So, I took all that and made this, and while I see all manner of things I might tweak, I love him--his spirit.  As of this writing, he is on his way to Canada. 

Before making the above, I made the one below, but even though I like it very much, decided the mosaic wads much more expressive of everything I wanted to include. 

Materials were polymer clay, gold leaf, alcohol inks, a few metallic acrylic glazes (which is not as nice on big "cracks" as it can cloud the clay), and at the end 3 coats of PYM II. 

Undisclipined Me

I keep meaning to be more regular in my posting, but  so many things, many totally useless, keep getting in the way. So I will start where I am, and bounce around in time as necessary until I'm back In the NOW.

I've been working on leaf and ink techniques lately, inspired by a technique described by Page McNall.  I only went about halfway with her process, but got all involved with the needle carving/drawing and then of course "painting" either with paint or alcohol ink or both. 

She's on Flickr

I've done several, but the most current, now in progress, are these, destined to be earrings, done on copper leaf.  All are still in progress, so will no doubt be tweaked before I'm done.

                                                      

Three Maidens Polymer Clay Pendant

Three Maidens Southwest Pendant Necklace.

This is one of my personal favorites, and has never been offered before. I've enjoyed their company.

The pendant is made of polymer clay as are the beads at the toggle clasp. The ivory colored beads are, if I remember correctly, bone -- not plastic and definitely NOT ivory. O-rings figure into the design elements as well.

The pendant itself is 1 3/4 inches wide, 2 3/16 inches long. Overall length approximately 21 inches plus pendant drop.   The pendant is mostly translucent clay "overbaked" which brings up that lovely sienna color and causes imperfections or moons.  For my purposes the development of imperfection is desirable.  A thin layer of textured clay was added then carved with the maidens, the bezel made of black clay, the reverse carved with my mark.  Glazing/antiquing applied for contrast.

Currently, the pendant is available.

http://www.etsy.com/shop/patibannister

Micro Mosaic Pendant, Southwest. Mexican Hat, Utah. Unisex. Wearable Art.

 

  It isn't that I haven't been working, it's that I'm out of synch with myself.   Since that annoying hip replacement thing a year ago ....   

This is a pendant I made in 2009 and have never offered before.  I have a number of these pieces that I learned a lot from.  It isn't that I don't need them or love them any longer, but it is time to move on and I'm running out of space. 

It is currently in my Etsy shop  "Pati Bannister" ...

It was inspired by my love of the Southwest, more specifically the area around Mexican Hat in Utah. 

The pendant is polymer clay and slightly trapezoidal in shape. It is a tiny bit under 1 1/2 inches wide at the top and an equally small bit under 1 3/4 inches wide at the bottom. It is 2 3/4 inches long including the bail. Two coordinated beads, also polymer clay, finish the toggle closing. It is 18-19 inches long, not including the pendant length. 

I made four small batches of marbleized color, the channels were extruded and each piece was placed on the cured backing before curing.   

http://www.etsy.com/shop/patibannister

Comments and questions welcome. 

Ivory Keepsake Box

I am in the process of pulling things together for the "Misadventure" box, so took the opportunity this morning to photograph a box I completed about two weeks ago.  
I am very happy with the flow of the design, which reminds me of the sea .... it is quite elegant and feminine in feel.
This box is cedar, and covered in textured and carved pieces of  white-ecru polymer clay.  Graceful curved areas were left and then filled with handmade circular motifs, also carved.  In some, tiny aquarmine beads were inserted for delicate contrast.
The interior of the box as been antiqued, as has the bottom.  The underside of the lift-off lid has been signed. 

Cedar Faux Ivory Cigar Box

I am so pleased with this box, and as often happens in such cases, I've held onto it for a long time. I made it out of a white-ecru mix which I textured, then cut into I don't know how many narrow strips and covered the entire exterior, including the bottom. Once that was done, and the box cured, I sanded and buffed and then applied a glaze of raw sienna and burnt umber. A striped agate bead I especially liked was then fixed to the top, a narrow black bezel created and the piece was cured again to fuse the glaze and cure the clay bezel. I've left the interior natural to allow it to be used for proper cigar storage, and cut a removable dark brown suede piece for the base. The box is 5 3/4 inches long, 4 1/2 inches wide and 4 3/8 inches tall. The entire exterior of the box is covered, including the bottom. I have signed the underside of the lid.

My Cat Bookmarks and Polymer Clay Daily

I was so happy to see my bookmarks featured in Polymer Clay Daily on the 20th of this month...of course, if I had even thought this could happen my blog would have been more up to date. That said, creating this little family as well as others who are in various stages of completion has been such fun, allowing me to combine my love of cats, carving, painting and polymer clay into something whimsical and even useful.

A Bit of the Blues, Cross-Wise

A bit of the blues today: Woke up to find a small waterfall occuring in downstairs entry hall; seems a pipe from upstairs had sprung a leak...end result for now a hole in the downstairs ceiling and a big hole in the wall between the upstairs laundry and master bath. Two fans a'blowin' for the next 2-4 days to dry everything out before repair.

The upside, no doubt had this gone on for another few hours or so, the laundry and maybe part of the bath would have been in the entry hall. Mixed feelings about that as I wouldn't mind a bath remodel...oh well. Stuck, as I was, I took the opportunity to upload this bangle and earrings to my Etsy shop along with a tiny bit of my too-many-beads stash and rephotographed two of my pretty crosses.

David and I went out for a nice lunch.

Could have been much worse.

Autumn Beads .. Soon I'll Hear Old Winter's Song ...

A week or so ago I spent the day building stacks/loaves of colors inspired by the colors outside my window. While we haven't had a spectacular autumn, more one of those one tree at a time things, the colors are still in evidencef, rather like a slideshow when one segment dissolves into another. That said, I've made a selection of beads. Here are two. More to come.

Red Pendant

Busy week; I spent Thursday doing the finishing work on almost everything that needs assembly, sanding, etc. I had hoped to get it all photographed Friday, but weather didn't cooperate, and as a natural light photographer had to wait. Yesterday I was able to get a few things done but didn't allow enough time so the light in my favorite area ran out on me. But this piece came out well and I love it! Hopefully I will get a satisfactory photograph of the coordinating earrings and bangle bracelet today.

On the Worktable from Monday . . ...

When I started making my color stacks last Sunday, I was inspired by the colors outside; brilliant Carolina Blue skies, autumn leaves and shades in between. This was my greenest stack, comprised of gold, bronze, two blues, two greens, two yellows and a dash of alizarin and pom reds.
I'm especially pleased with two things: The surprise of learning how to make a herringbone or modified bargello design due to an unintended cutting of the stack, and the wonderful way the odd bits, when cut into tiny circles made that delicious focal bead into a complex and rich mosaic.
Some finishing yet to be done...a fragment of the stack is visible; also can be seen, I think, on the larger picture posted earlier.